Modernism 1901-1950: Virginia Woolf The Duchess and the Jeweller

The story “The Duchess and the Jeweler” reflects the English society of writer’s time. It was an age of change. The high-ups were coming down because of their moral decadence and the commoners were coming up.

Once Oliver Bacon was very poor and lived in a filthy, little alley. He worked very hard and used fair and unfair means to become the richest jeweler of the England. He enjoys his present position. He is suffering from inferiority complex. There is a great difference between his present and past condition. He has become so important that each day he receives invitation cards from the aristocracy of the city. He has become very rich, but he is so greedy that he wants more and more wealth.

One day the Duchess of Lambourne comes to sell some fake pearls.  She induces him into buying those fake pearls very cleverly. She uses her daughter Diana as bait. She also invites him to the party where all the aristocracy will be present.

Oliver Bacon buys the fake pearls because he wants to attend the party and spend the weekend with Diana. He loves Diana very much. Besides, he wants to move among aristocratic circles.

He signs the cheque for twenty thousand pounds. The Duchess takes the cheque and leaves. Later, he asks pardon of the picture of his mother.

The Duchess and the Jeweller

Oliver Bacon lived at the top of a house overlooking the Green Park. He had a flat; chairs jutted out at the right angles — chairs covered in hide. Sofas filled the bays of the windows — sofas covered in tapestry. The windows, the three long windows, had the proper allowance of discreet net and figured satin. The mahogany sideboard bulged discreetly with the right brandies, whiskeys and liqueurs. And from the middle window he looked down upon the glossy roofs of fashionable cars packed in the narrow straits of Piccadilly. A more Central position could not be imagined. And at eight in the morning he would have his breakfast brought in on a tray by a man-servant: the man-servant would unfold his crimson dressing-gown; he would rip his letters open with his long pointed nails and would extract thick white cards of invitation upon which the engraving stood up roughly from duchesses, countesses, viscountesses and Honourable Ladies. Then he would wash; then he would eat his toast; then he would read his paper by the bright burning fire of electric coals.

“Behold Oliver,” he would say, addressing himself. “You who began life in a filthy little alley, you who . . . ” and he would look down at his legs, so shapely in their perfect trousers; at his boots; at his spats. They were all shapely, shining; cut from the best cloth by the best scissors in Savile Row. But he dismantled himself often and became again a little boy in a dark alley. He had once thought that the height of his ambition — selling stolen dogs to fashionable women in Whitechapel. And once he had been done. “Oh, Oliver,” his mother had wailed. “Oh, Oliver! When will you have sense, my son?” . . . Then he had gone behind a counter; had sold cheap watches; then he had taken a wallet to Amsterdam. . . . At that memory he would churckle — the old Oliver remembering the young. Yes, he had done well with the three diamonds; also there was the commission on the emerald. After that he went into the private room behind the shop in Hatton Garden; the room with the scales, the safe, the thick magnifying glasses. And then . . . and then . . . He chuckled. When he passed through the knots of jewellers in the hot evening who were discussing prices, gold mines, diamonds, reports from South Africa, one of them would lay a finger to the side of his nose and murmur, “Hum — m — m,” as he passed. It was no more than a murmur; no more than a nudge on the shoulder, a finger on the nose, a buzz that ran through the cluster of jewellers in Hatton Garden on a hot afternoon — oh, many years ago now! But still Oliver felt it purring down his spine, the nudge, the murmur that meant, “Look at himyoung Oliver, the young jeweller — there he goes.” Young he was then. And he dressed better and better; and had, first a hansom cab; then a car; and first he went up to the dress circle, then down into the stalls. And he had a villa at Richmond, overlooking the river, with trellises of red roses; and Mademoiselle used to pick one every morning and stick it in his buttonhole.

“So,” said Oliver Bacon, rising and stretching his legs. “SO . . . ”

And he stood beneath the picture of an old lady on the mantelpiece and raised his hands. “I have kept my word,” he said, laying his hands together, palm to palm, as if he were doing homage to her. “I have won my bet.” That was so; he was the richest jeweller in England; but his nose, which was long and flexible, like an elephant’s trunk, seemed to say by its curious quiver at the nostrils (but it seemed as if the whole nose quivered, not only the nostrils) that he was not satisfied yet; still smelt something under the ground a little further off. Imagine a giant hog in a pasture rich with truffles; after unearthing this truffle and that, still it smells a bigger, a blacker truffle under the ground further off. So Oliver snuffed always in the rich earth of Mayfair another truffle, a blacker, a bigger further off.

Now then he straightened the pearl in his tie, cased himself in his smart blue overcoat; took his yellow gloves and his cane; and swayed as he descended the stairs and half snuffed, half sighed through his long sharp nose as he passed out into Piccadilly. For was he not still a sad man, a dissatisfied man, a man who seeks something that is hidden, though he had won his bet?